Creation begins with recognition.

My artistic practice investigates how matter holds, transforms and transmits experience. Every project begins by recognising what is already present: the histories embedded in materials, the knowledge carried by places, and the relationships that exist long before an artwork begins.

The Persistence of Matter is the long-term artistic research framework that brings these questions together. Through painting, sculpture, installation, textile structures, performative actions and collaborative creative processes, I investigate how relationships acquire material presence and continue evolving across people, places and time. Different projects approach this research from distinct perspectives while remaining part of the same ongoing inquiry.

Each research question determines its own material language. Every work emerges through processes of observation, material experimentation and dialogue with specific contexts, generating new ways of understanding memory, presence, spatiality and human relationships.

The medium follows the question. The research gives each work its form.