Brenda R. Fernández's installation work creates immersive spaces that confront, reveal, and transform. Working with materials imbued with personal and collective memory—textiles, sound, light, and suspended forms—she constructs environments where silence speaks, absence becomes presence, and the body is invoked through its fragmentation, its vulnerability, and its resilience.

Her installations are not meant to be passively viewed, but rather entered, felt, and remembered. In Tu Yo al Cubo, the viewer is reflected and refracted within a mirrored cube, invited to question the boundaries of the self and the multiplicity of identity. Intimate Femicide is a visceral response to gender-based violence, a space where the wound is not only exposed, but dignified—made visible through layers of fabric and suspended form, echoing a collective cry. Silencio is an architecture of stillness, where sound becomes breath and the invisible becomes palpable.

These works are conceived as living containers of memory, resistance, and healing. They ask the viewer to stay with discomfort, to listen beyond language, and to reimagine the body—not as isolated matter, but as a continuum of histories, traumas, and possibilities.

Through installation, Brenda expands painting into space, into ritual, and into collective resonance. Her work is both intimate and political, poetic and raw—a mirror of the unseen, the unheard, and the unhealed.